Twitter!

Blog – Entries tagged as Acorde in Use

February 22, 2019 Stefan Willerstorfer Stefan Willerstorfer Acorde, Acorde in Use, Advertisement, Austria, die Graphische, Graphische, Lydia Körner, Poster, Poster Design, Vienna

Puzzling poster for die Graphische features Acorde

As you might know, Acorde was designed to be perfectly suited to all different sizes, from small continuous text to large headlines and big signage. Therefore its large application on this poster is a great example of Acorde’s display qualities. The poster is an advertisement for the renowned graphic design school, die Graphische, in Vienna.

At first sight the poster appears puzzling and you can only read Kryptisch? (Cryptic?) and Dann komm auf die Graphische! (Walk to/join the Graphische!). When you walk a few steps further towards the school (located opposite the poster) and look at the advertisement through a red glass you can suddenly read: Wir haben den Durchblick in der Gestaltung! (We have a clear view on design./We know about design.) The poster was designed by Lydia Körner. Great idea, Lydia!

At first sight the poster appears puzzling. When you look at the advertisement through a red glass you can suddenly read more text. Acorde’s large application on this poster is a great example of its display qualities.
July 20, 2018 Stefan Willerstorfer Stefan Willerstorfer Acorde, Acorde in Use, Austria, Carinthia, Editorial Design, Helga Innerhofer, Journal, Magazine, Magazine Design, Market Town, Moosburg, Muntermacher, Sindelar, Sindelar in Use, Wojciech Czaja

Muntermacher is entirely set in our type families

Muntermacher, that’s what the quarterly journal of the market town of Moosburg in Carinthia (Austria) is called. A Muntermacher is a person or substance that wakes you up. And yes, it does. Great to see a journal from a small market town offering information to its inhabitants in such visual quality.

The magazine was conceived by Austrian architect and journalist Wojciech Czaja and by Austrian graphic designer Helga Innerhofer. As a foundry we are especially proud of this feature: The journal is entirely set in our type families Acorde and Sindelar which complement each other perfectly well.

Two covers of the quarterly journal Muntermacher. Various impressions of Muntermacher which perfectly show Acorde’s and Sindelar’s excellence.
February 22, 2017 Stefan Willerstorfer Stefan Willerstorfer Acorde, Acorde in Use, Architecture, Austria, Book, Book Design, California, DoppelHouse Press, Peter Duniecki, Publishing house, Los Angeles, Vienna, United States

Paul T. Frankl’s autobiography entirely set in Acorde

Another great example of Acorde in use: Paul T. Frankl’s autobiography offers a unique insight into the rise of American modernism from an insider’s point of view. It sheds light on Paul T. Frankl and his contemporaries as well as on Austrian and American culture in the first half of the twentieth century.

The book was edited by Christopher Long and Aurora McClain and designed by Austrian book designer Peter Duniecki. It is entirely set in Acorde.

Cover of Paul T. Frankl’s autobiography, set in Acorde. Various impressions of Frankl’s autobiography, designed by Peter Duniecki.
March 17, 2015 Stefan Willerstorfer Stefan Willerstorfer Acorde, Acorde in Use, Calendar, Germany, Guinness, Ireland, Irish Whiskey, Mainz, St. Patrick’s Day, Typodarium, Verlag Hermann Schmidt Mainz

Acorde joyfully celebrates St. Patrick’s Day 2015

As a special ingredient to St. Patrick’s Day 2015, Acorde joins the worldwide celebrations in giving your calendar an appropriate typographic appearance. Take a look at Typodarium 2015 whilst drinking a pint of Guinness or a shot of Irish Whiskey. Feel the Irish vibe and enjoy!

Ingredients for a perfect St. Patrick’s Day: Irish Whiskey, Guinness and Acorde on your calendar.
December 5, 2012 Stefan Willerstorfer Stefan Willerstorfer Acorde, Acorde in Use, Austria, Erich Monitzer, Exhibition, Germany, Most beautiful books of 2011, Schönste Bücher 2011, Switzerland, tga, The Netherlands, Typographic Society Austria, Typographische Gesellschaft Austria, Vienna

Acorde presents the most beautiful books of A/D/CH/NL

Like every year the Typographic Society Austria (tga – Typographische Gesellschaft Austria) shows the most beautiful books of Austria, Germany, Switzerland, and the Netherlands in cooperation with the Vienna Public Libraries and the Association of Austrian Book Trade.

The most beautiful books of 2011 can be seen in the Central Library in Vienna from December 5, 2012 to February 4, 2013. Once again (since its introduction last year) the exhibition design is entirely set in the type family Acorde. Since Acorde is used for small text (labels, signs, flyers) as well as for large headlines, the exhibition design is a good example of Acorde’s suitability for all different sizes.

The flyer promoting the exhibition was designed by Austrian designer Erich Monitzer.
November 28, 2012 Stefan Willerstorfer Stefan Willerstorfer Acorde, Acorde in Use, Architecture, Austria, Book, Book Design, Josef Frank, Metroverlag, Peter Duniecki, Publishing house, Vienna

Josef Frank’s writings set in Acorde

The bilingual book Josef Frank: Writings is a complete collection of all published writings of Austrian architect Josef Frank, one of the main protagonists of Classical Modernism. It comes in two volumes and consists of nearly 900 pages in total. Since the whole publication is entirely set in Acorde, it is probably amongst the publications where Acorde’s workhorse qualities can be judged most easily.

Both covers of the two-volume book show the enlarged signature of Josef Frank.


The two-volume book was designed by Austrian book designer Peter Duniecki who explains his choice of Acorde as follows. »Die verwendete Schrift spiegelt die Zeit der Wiener Moderne. Modern, klar, nicht so hart, runder, eben wienerischer als die Internationale Moderne. Ihre hervorragende Lesbarkeit würde Josef Frank zu schätzen wissen.« (The chosen typeface reflects the era of Viennese Modernism. Modern, pure, not so hard, rounder, just more Viennese than the International Modernism. Josef Frank would appreciate its outstanding legibility.)

Various impressions of the publication on Josef Frank’s writings, designed by Peter Duniecki.