Blog – Entries tagged as Acorde
Acorde webfonts are finally available for purchase
Long-awaited by users around the globe and by all people with a passion for humanist sans serifs: Acorde webfonts are finally available for purchase. Since quality always comes first at Willerstorfer Font Foundry, Acorde webfonts were carefully developed and tested. The careful hinting of the core character set was done by German hinting expert Tim Ahrens.
A purchase of Acorde webfonts will greatly contribute to a company’s professionalism and recognisability. New customers now have the possibility to purchase Acorde desktop fonts and Acorde webfonts at the same time, resulting in a generous 50% discount on the lower priced item. Acorde webfonts are exclusively available at willerstorfer.comAll 14 styles of Acorde are available for web use.
Austrian design exhibition Subtext: Typedesign in Vienna
Yesterday the opening of the design exhibition Subtext: Typedesign took place at the Designforum in Vienna’s Museumsquartier. The opening was a great success and attracted more than 500 people. The exhibition subtitled zeitgenössisch–lokal: contemporary–austrian showcases Austrian type designs from the last fifteen years and impressively documents the liveliness of the Austrian type design scene.
The exhibition is organised by the Typographic Society Austria (tga – Typographische Gesellschaft Austria) and was curated by Andreas Pawlik and Martin Tiefenthaler.Anita Kern speaking at the opening in front of a poster showcasing Acorde and Sindelar.
Even the Designforum’s entrance was crowded with visitors at the opening.
This informative chart explains the workflow during the development of a type family.
At the opening Anita Kern, an Austrian graphic designer, writer, and profound expert on Austrian design history, spoke about the history and the current state of Austrian type design.
A selection of magazines, newspapers, books, and other products that use Austrian type families.
Visitors at the opening looking at and discussing about Austrian type design.
If you happen to be in Vienna use the opportunity to get more insights on Austrian type design and visit the exhibition at the Designforum. The exhibition will be on show until the 26th of May 2017. More detailed information is available here.
Paul T. Frankl’s autobiography entirely set in Acorde
Another great example of Acorde in use: Paul T. Frankl’s autobiography offers a unique insight into the rise of American modernism from an insider’s point of view. It sheds light on Paul T. Frankl and his contemporaries as well as on Austrian and American culture in the first half of the twentieth century.Cover of Paul T. Frankl’s autobiography, set in Acorde. Various impressions of Frankl’s autobiography, designed by Peter Duniecki.
Interview in German design magazine Novum
Recently I was interviewed at length by German design magazine Novum. The interview is published in the current issue (07.16) and is available in German and in English. It covers varied issues such as design trends, bespoke typefaces, renowned design prizes, and the work currently being done at Willerstorfer Font Foundry. Recommended reading!The interview is published bilingually in German and English.
Interview at FreeTypography’s Typography Blog
Recently I was interviewed at length by FreeTypography’s Typography Blog. If you are interested in learning more about my work and the motivation and values behind it, please head to FreeTypography.Read about Stefan Willerstorfer, his work, and his opinions at FreeTypography’s Typography Blog.
I Love Typography presents the making of Sindelar
At ilovetypography.com there is a series of articles on the making of fonts. My contribution, Making Fonts: Sindelar, is the most recent article in this series. The article describes the requirements of newspaper typefaces in general and gives an insight into the specific decisions made during the development of Sindelar.
If you want to learn more about Sindelar and its qualities just take a look at the article at I Love Typography. A few years ago, shortly after the release of Acorde, an article on The making of Acorde was published at I Love Typography too.One of the first sketches for Sindelar, dating from April 2009, Vienna.