Blog – Entries tagged as Acorde
Speaking at this year’s Joseph Binder Symposium in Vienna
I was invited to speak at this year’s Joseph Binder Symposium which took place two weeks ago in Vienna’s Designforum. There were twelve talks by designers and illustrators in total. All of these talks focused on the value of the sketch during the development process.
The programme was diverse and very interesting and I personally enjoyed the pleasant atmosphere. My lecture was entitled Weiß, Schwarz. Grau! (White, Black. Grey!) and I emphasized the value sketches do play in the development of a typeface. It was a great experience to participate at the symposium as a speaker and also as a listener.Stefan Willerstorfer emphasized the value of sketching in type design. This slide shows an early sketch of the letter a of the Sindelar family. This slide shows various sketches for the Italic styles of the Acorde family. The speakers of this year’s Joseph Binder Symposium in Vienna.
Muntermacher is entirely set in our type families
Muntermacher, that’s what the quarterly journal of the market town of Moosburg in Carinthia (Austria) is called. A Muntermacher is a person or substance that wakes you up. And yes, it does. Great to see a journal from a small market town offering information to its inhabitants in such visual quality.
The magazine was conceived by Austrian architect and journalist Wojciech Czaja and by Austrian graphic designer Helga Innerhofer. As a foundry we are especially proud of this feature: The journal is entirely set in our type families Acorde and Sindelar which complement each other perfectly well.Two covers of the quarterly journal Muntermacher. Various impressions of Muntermacher which perfectly show Acorde’s and Sindelar’s excellence.
Exhibition book Subtext: Typedesign is now available
You want to know more about the thriving Austrian type design scene? In case you missed the popular type design exhibition, Subtext: Typedesign, which took place in Vienna in April and May 2017: The book accompanying the exhibition is now available for purchase at the renowned Swiss publishing house Niggli. It introduces and documents the designs of more than 50 designers and foundries working locally and worldwide and presents more than 450 pages of recent Austrian type designs.Cover of the exhibition book Subtext: Typedesign. Double page spread showing a focused Stefan Willerstorfer at work.
Double page spread presenting all 14 styles of Acorde.
Double page spread showcasing Acorde in use.
Double page spread presenting all 18 styles of Sindelar.
Double page spread showcasing Sindelar in use.
As one of Austria’s leading foundries our work is showcased in the book in great detail. The typefaces in the book are not only shown as specimens but also in real use. In addition, the book contains a comprehensive text section in which well-known authors from various cultures and academic disciplines explore their relationships to type design. Definitely worth a read!
Acorde webfonts are finally available for purchase
Long-awaited by users around the globe and by all people with a passion for humanist sans serifs: Acorde webfonts are finally available for purchase. Since quality always comes first at Willerstorfer Font Foundry, Acorde webfonts were carefully developed and tested. The careful hinting of the core character set was done by German hinting expert Tim Ahrens.
A purchase of Acorde webfonts will greatly contribute to a company’s professionalism and recognisability. New customers now have the possibility to purchase Acorde desktop fonts and Acorde webfonts at the same time, resulting in a generous 50% discount on the lower priced item. Acorde webfonts are exclusively available at willerstorfer.comAll 14 styles of Acorde are available for web use.
Austrian design exhibition Subtext: Typedesign in Vienna
Yesterday the opening of the design exhibition Subtext: Typedesign took place at the Designforum in Vienna’s Museumsquartier. The opening was a great success and attracted more than 500 people. The exhibition subtitled zeitgenössisch–lokal: contemporary–austrian showcases Austrian type designs from the last fifteen years and impressively documents the liveliness of the Austrian type design scene.
The exhibition is organised by the Typographic Society Austria (tga – Typographische Gesellschaft Austria) and was curated by Andreas Pawlik and Martin Tiefenthaler.Anita Kern speaking at the opening in front of a poster showcasing Acorde and Sindelar.
Even the Designforum’s entrance was crowded with visitors at the opening.
This informative chart explains the workflow during the development of a type family.
At the opening Anita Kern, an Austrian graphic designer, writer, and profound expert on Austrian design history, spoke about the history and the current state of Austrian type design.
A selection of magazines, newspapers, books, and other products that use Austrian type families.
Visitors at the opening looking at and discussing about Austrian type design.
If you happen to be in Vienna use the opportunity to get more insights on Austrian type design and visit the exhibition at the Designforum. The exhibition will be on show until the 26th of May 2017. More detailed information is available here.
Paul T. Frankl’s autobiography entirely set in Acorde
Another great example of Acorde in use: Paul T. Frankl’s autobiography offers a unique insight into the rise of American modernism from an insider’s point of view. It sheds light on Paul T. Frankl and his contemporaries as well as on Austrian and American culture in the first half of the twentieth century.Cover of Paul T. Frankl’s autobiography, set in Acorde. Various impressions of Frankl’s autobiography, designed by Peter Duniecki.