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Blog – Entries tagged as Publishing house

August 3, 2019 Stefan Willerstorfer Stefan Willerstorfer Acorde, Acorde in Use, Architecture, Austria, Book, Book Design, Football, Park Books, Peter Duniecki, Publishing House, Sindelar, Sindelar in Use, Soccer, Switzerland, Vienna, Zurich

Gerhard Hanappi book set in Sindelar and Acorde

Now that’s a project we are really happy about. The book about famous Austrian football (soccer) player and architect Gerhard Hanappi is entirely set in Sindelar and Acorde. The book was designed by Austrian designer Peter Duniecki and published by the Swiss publishing house Park Books.

Cover of Fußballer Gerhard Hanappi Architekt, set in Acorde.


Why are we so happy about it? First, the book is really well designed, and second, we love football. As you may know, the type family Sindelar is named after famous Austrian football player Matthias Sindelar. Interestingly Sindelar and Hanappi played at the two rivalling Viennese Clubs Austria Wien and Rapid Wien (not at the same time though). The book achieves something that is not very likely in real life: One player of Austria Wien supports a project by a player of Rapid Wien. The result of this collaboration is really convincing. Just have a look yourself!

Various impressions of Fußballer Gerhard Hanappi Architekt, entirely set in Sindelar and Acorde.
February 22, 2017 Stefan Willerstorfer Stefan Willerstorfer Acorde, Acorde in Use, Architecture, Austria, Book, Book Design, California, DoppelHouse Press, Peter Duniecki, Publishing House, Los Angeles, Vienna, United States

Paul T. Frankl’s autobiography entirely set in Acorde

Another great example of Acorde in use: Paul T. Frankl’s autobiography offers a unique insight into the rise of American modernism from an insider’s point of view. It sheds light on Paul T. Frankl and his contemporaries as well as on Austrian and American culture in the first half of the twentieth century.

The book was edited by Christopher Long and Aurora McClain and designed by Austrian book designer Peter Duniecki. It is entirely set in Acorde.

Cover of Paul T. Frankl’s autobiography, set in Acorde. Various impressions of Frankl’s autobiography, designed by Peter Duniecki.
December 28, 2013 Stefan Willerstorfer Stefan Willerstorfer Anne Dreesbach, August Dreesbach Verlag, Austria, Germany, Magazine, Munich, Publication, Publishing House, Vienna

Typotopografie focuses on Vienna in its fifth issue

Typotopografie is a publication series focusing on the typographic characteristics of a selected city in each issue. Starting with Munich, followed by Düsseldorf, Berlin, and Leipzig, now it’s Vienna’s turn to be in the focus of attention.

Cover of Typotopografie, focusing on Vienna in its fifth issue.


The publication is subtitled with The magazine about design, typography and printing in urban centres and that is what you can expect: Interviews with Vienna’s most famous type designers, the design work of graphic designers with a strong interest in typography and entertaining essays and background information.

Typotopografie features an interview with Stefan Willerstorfer.
November 28, 2012 Stefan Willerstorfer Stefan Willerstorfer Acorde, Acorde in Use, Architecture, Austria, Book, Book Design, Josef Frank, Metroverlag, Peter Duniecki, Publishing house, Vienna

Josef Frank’s writings set in Acorde

The bilingual book Josef Frank: Writings is a complete collection of all published writings of Austrian architect Josef Frank, one of the main protagonists of Classical Modernism. It comes in two volumes and consists of nearly 900 pages in total. Since the whole publication is entirely set in Acorde, it is probably amongst the publications where Acorde’s workhorse qualities can be judged most easily.

Both covers of the two-volume book show the enlarged signature of Josef Frank.


The two-volume book was designed by Austrian book designer Peter Duniecki who explains his choice of Acorde as follows. »Die verwendete Schrift spiegelt die Zeit der Wiener Moderne. Modern, klar, nicht so hart, runder, eben wienerischer als die Internationale Moderne. Ihre hervorragende Lesbarkeit würde Josef Frank zu schätzen wissen.« (The chosen typeface reflects the era of Viennese Modernism. Modern, pure, not so hard, rounder, just more Viennese than the International Modernism. Josef Frank would appreciate its outstanding legibility.)

Various impressions of the publication on Josef Frank’s writings, designed by Peter Duniecki.
November 19, 2012 Stefan Willerstorfer Stefan Willerstorfer Acorde, Acorde in Use, Austria, Book, facultas.wuv, Martin Tiefenthaler, Publishing house, Vienna

Publishing house facultas.wuv features Acorde

The Viennese publishing house facultas.wuv uses two italic styles of Acorde as the main dynamic visual element on the cover of one of their newest publications, a reference book of political science. The publication, entitled Theoriearbeit in der Politikwissenschaft (Academic Writing in Political Science) addresses the demands of students in political science doing their master’s studies. The book cover was designed by Austrian designer Martin Tiefenthaler.

Cover of the book Theoriearbeit in der Politikwissenschaft (Academic Writing in Political Science). The italic styles of Acorde establish a dynamic contrast to the static photograph.
December 22, 2010 Stefan Willerstorfer Stefan Willerstorfer Acorde, Acorde in Use, Austria, Book, Edition a, Publishing house, Vienna

Publishing house edition a relies on Acorde

The Viennese publishing house, edition a, uses the type family Acorde as one of the main visual elements on two of their books’ covers and as the headline typeface inside these two books.

One of the books is called Donnerwetter, a non-fiction book on weather by Austrian TV weather presenter Marcus Wadsak, the other one Vorsicht Vertrauen, a non-fiction book on economics by Manfred Berger and Arne Johannsen.

The covers of the two non-fiction books are entirely set in Acorde.